written by Mark St. Germain
August 17-September 2, 2017
Osha Gray Davidson’s The Best of Enemies: Race and Redemption in The New South, chronicles a friendship that developed in 1970 between two people who began as bitter enemies–black activist Ann Atwater (Janet Oliver) and white Grand Cyclops of the Durham North Carolina chapter of the Ku Klux Klan, C.P Ellis (Sean David Robinson). Mark St. Germain’s play, Best of Enemies, brings the story of this “unlikely friendship” to the stage against a Civil Rights backdrop.
Best of Enemies is based on the true events leading up to the official desegregation of the Durham school system in 1971. Ellis’ racism and contempt are challenged by Atwater, a local civil rights activist and Bill Riddick (Bjorn Goller), a community organizer from D.C. sent to Durham to facilitate the desegregation process. Both Ellis and Atwater are extremely reluctant to be in the same room together, let alone co-chair a committee to explore the problems in their school system. But through the course of their work together—and the tough-but-soft influence of Ellis’ wife, Mary (Molly Graves) — the two extremes find their way to the middle, uniting around their shared desire to secure a better future for their children. They realize that regardless of the color of their skin, their children are suffering in appalling school conditions. “We began to talk about what was on our heart,” Ellis says. “And both of us wept. … It was because the kids were suffering.” In the documentary “An Unlikely Friendship”, Ellis explains that people join extremist groups because they feel “shut out”. “Deep down inside, we want to be part of this great society,” he says. “Nobody listens, so we join these groups.”
Managing artistic director Stephanie Hickling Beckman says, “I love how Best of Enemies explores what these two angry, opposite people have to go through in order to find common ground, and how relevant that is to the divisive times we’re going through in 2017. When I chose this play almost a year ago, I was very consumed by the negative effects of the social and political climate on my friends, and within our community; how people weren’t really listening to each other, yet fighting vehemently to be heard. Best of Enemies appealed to me as proof that the people of this country could find a way to listen to each other despite our personal and political differences; to work together for the rights, equality, and safety of all it’s citizens”.
Best of Enemies will run Thursday, Friday, and Saturday evenings from August 17th – September 2nd, 2017, in the Asheville High School Theatre Arts Building (Not the main auditorium). This beautiful space will serve us well for the run of the show, and allow us the honor of presenting this powerful presentation to a portion of the student body.
Signage will be provided to assist you in finding the Theater. However, for the sake of directness, it is best to access the AHS campus through the Victoria Street entrance (set your GPS for ABTech). The front of your car will be pointed toward the Theater. Park in either parking lot (to your left and right), walk down the sidewalk to the Arts breezeway, enter the lobby, and prepare to be inspired.
Tickets are $18 in advance, and $21 at the door. Advance tickets for opening weekend, (August 17-19), are $15. PAY NO FEES for online purchases (taxes are applicable).
Best of Enemies is directed by Ashleigh Millett-Goff, and features: Sean David Robinson, Janet Oliver, Bjorn Goller, and Molly Graves
“Ann and C.P.’s journey – while a beautiful and hopeful example of human change and forgiveness – was not without pain and sacrifice. Ann remembers that C.P. was lonely when he died of Alzheimer’s in 2005. “His grandchildren knew nothing about what their grandfather was up to … I was trying to explain to them what he was like. They didn’t know a clue about him at all. When he was in the Klan, the family didn’t like it, so they just turned him loose…[after he left the Klan] He kind of had a nervous breakdown because he lost all his friends,” she says. “His wife died. He had nothing but his puppy–his little dog,” she says. Ann also continued to struggle against poverty for most of her life. In her 70’s and with deteriorating health, Ann had over 200 plaques hanging across her walls, but no money to live on but social security.” Taproot Theatre Company Playguide